1Come, bless the LORD, all you servants of the LORD, who stand by night in the house of the LORD! 2Lift up your hands to the holy place, and bless the LORD. 3May the LORD, maker of heaven and earth, bless you from Zion.
Psalm 134 is the final song of ascent where the pilgrims have arrived at their destination, and they are invited to do what they came to Zion to do: praise the LORD. This short psalm is only twenty-four words in Hebrew, but five of those words are the name of God: YHWH (LORD)[1], another three are a title for God (maker of heaven and earth), and three more are the Hebrew verb barak (bless). In the first two verses God is the focus of the actions of praise and blessing as the pilgrims enter into the space of worship. In the final verse the direction is reversed as the pilgrims are sent forth with a blessing, presumably spoken by a priestly figure, as they leave Zion and return to their homes.
In the previous psalm, the unity of the people was celebrated as they came to their destination and now all the gathered ones are called to participate in the actions of blessing the LORD the God of Israel. The actions of the worship are kinetic involving the lifting up of their hands within the holy space, but barak originally meant “to kneel” and that may also be a posture of worship expected within the movement of the psalm. (NIB IV: 1217) The people have made the effort to journey to the house of the LORD, a holy place where God’s presence dwells, and now their actions are now a part of their offering of obedience, homage, and trust to their God.
Within the flow of worship there is a time to be gathered and a time to be sent. One of the actions of sending is a benediction, a final blessing. Within my congregation I typically utilize either a trinitarian benediction or the Aaronic benediction from Numbers 6: 22-26. The brief benediction, which ends Psalm 134, and by extension the songs of ascent, is designed for the pilgrims who have come to Zion but now must return to their own towns or nations. The benediction seeks the blessing of the LORD upon those pilgrims, and wherever they go they are in the dominion of the maker of heaven and earth, yet the blessing emanates from this holy space in Zion where God’s presence rests. They came to this place to offer their blessing and worship to their God, and they are sent back into the world bearing God’s blessing upon them.
[1] The divine name is formed by four Hebrew letters transliterated as YHWH, often pronounce Yahweh, but is spoken as Adonai (Lord) when read by a cantor in the space of worship. This is due to the commandment about not taking the name of the Lord your God in vain. That is why most English translations will translate these four letters as LORD in all capital letters to indicate the name of God is behind the translation.
Consecration of Aaron and His Sons, illustration from the 1890 Holman Bible
Psalm 133
A Song of Ascents.
1How very good and pleasant it is when kindred live together in unity! 2It is like the precious oil on the head, running down upon the beard, on the beard of Aaron, running down over the collar of his robes. 3It is like the dew of Hermon, which falls on the mountains of Zion. For there the LORD ordained his blessing, life forevermore.
Bolded words have notes on translation below.
This short psalm utilizes two images of fluids flowing down as a metaphor for the good and pleasant experience of unity among kindred. Every world religion I am aware of utilizes familial imagery and then expands the imagery of family to the expectations of community life. Here within the pilgrims coming into Jerusalem and reciting these songs of ascent they are surrounded by other travelers who have come from other towns and perhaps other countries. Yet, for the Hebrew people they were all children of Abraham, Isaac, and Jacob. They were all an extended family. They were all kin.
As the travelers move towards the temple the first good and pleasant image remembers the anointing of Aaron as the high priest for the people. The pouring of oil on the head is common in the ancient world and had both provided moisture to the scalp and skin as well as a pleasant odor. Yet oil is precious and the image here is of fine oil being used lavishly. The oil flows down (Hebrew yored) from the hair to the beard to the collar of the robes. The anointing of Aaron is imagined as a special and lavish event, and the pilgrims going up to Jerusalem are joined to this good and pleasant memory from the past as they come together in unity to worship the LORD in Zion.
Mount Hermon is roughly 200 kilometers north of Jerusalem and the snow and water that collects there is the source of the Jordan River. The water from Hermon flows down (NRSVue which falls on)[1] to the mountains of Zion as God provides life for the land and people. The LORD utilizes both the normal events of rain and snow and the ritual events of anointing priests to provide a good and pleasant place for the children of Abraham, Isaac, and Jacob to live in unity and prosperity forevermore.
Adele Berlin suggests that the imagery of Psalm 133 may invoke a hope for the reunification of the northern kingdom of Israel and the southern kingdom of Judah by poetically having the “dew of Hermon” in the northern kingdom flow to Zion in the heart of Judah. (NIB IV: 1214) Whether the psalmist imagines a reunification of Israel and Judah is uncertain, but within the context of a pilgrimage to Zion the bonds of family are extended to new kindred from different starting points but sharing a common destination. They all come together to experience the good and pleasant reality of kindred living together in unity under God’s blessing.
[1] This is the same Hebrew verb yored utilized in verse two for the oil flowing down to Aaron’s beard and robes.
King David, the King of Israel by Gerard van Honthorst
Psalm 132
A Song of Ascents.
1O LORD, remember in David’s favor all the hardships he endured; 2how he swore to the LORD and vowed to the Mighty One of Jacob, 3“I will not enter my house or get into my bed; 4I will not give sleep to my eyes or slumber to my eyelids, 5until I find a place for the LORD, a dwelling place for the Mighty One of Jacob.”
6We heard of it in Ephrathah; we found it in the fields of Jaar. 7“Let us go to his dwelling place; let us worship at his footstool.”
8Rise up, O LORD, and go to your resting place, you and the ark of your might. 9Let your priests be clothed with righteousness, and let your faithful shout for joy. 10For your servant David’s sake do not turn away the face of your anointed one.
11The LORD swore to David a sure oath from which he will not turn back: “One of the sons of your body I will set on your throne. 12If your sons keep my covenant and my decrees that I shall teach them, their sons also, forevermore, shall sit on your throne.”
13For the LORD has chosen Zion; he has desired it for his habitation: 14“This is my resting place forever; here I will reside, for I have desired it. 15I will abundantly bless its provisions; I will satisfy its poor with bread. 16Its priests I will clothe with salvation, and its faithful will shout for joy. 17There I will cause a horn to sprout up for David; I have prepared a lamp for my anointed one. 18His enemies I will clothe with disgrace, but on him, his crown will gleam.”
This thirteenth song of ascent is significantly longer than the other fourteen songs in this collection and is the only song to link both Zion and the Davidic line together. Both the LORD and David in this psalm are given a dwelling place as the events of 2 Samuel 6-7 are reimagined in poetic form. The first half of the psalm references the return of the ark of the covenant from Kiriath-jearim to the tent David established for it in Jerusalem and David’s desire to build a permanent home for God’s presence (2 Samuel 6:1-7:3). The second half of the psalm remembers response of the LORD to David through the prophet Nathan, promising to establish a house (lineage) for David (2 Samuel 7: 4-29). This song of ascents reminds the pilgrims of how Jerusalem became Zion, the dwelling of the LORD, and the house of David.
The psalm begins by asking the LORD to remember David and the hardships he endured. Although many of the events of the psalm reflect a particular moment early in David’s reign there is also the sense that the hardships may involve the hardships that have come upon the line of David. The language of ‘remember’ and ‘hardships’ echoes the end of Psalm 89, another royal psalm that contrasts the lofty promises of the beginning of the Davidic line with the later reality of the line seeming to be a dead stump.[1] The line in verse seventeen where God causes a horn to sprout for David may also indicate that the monarchy has ceased to exist and the rising of a horn, a symbol of power and vitality, is “the restoration of something that has been destroyed” as in Ezekiel 29:21 (NIB IV: 1212). Yet, whether the pilgrim is entering the city of David where the line of David still has its throne, or a city without a Davidic king, the speaker is reminded of the original David who brought the ark of the covenant, and by extension the symbolic presence of God, into Jerusalem.
In 2 Samuel when David becomes king over all of Israel one of his first actions is to conquer Jerusalem and make it the seat of his power. Shortly after this he moves to bring the ark of the covenant from Kiriath-jearim to Jerusalem. Ephrathah is the region around Bethlehem where David’s family comes from and Jaar is likely Kiriath-jearim where the ark has rested since its return by the Philistines. In 1 Samuel 4 the Ark of God is captured by the Philistines, but wherever the ark rests among the Philistines it brings them affliction. The Philistines eventually return the ark to Israel at Beth-shemesh and then shortly move it to Kiriath-jearim during the early years of Samuel serving as judge of Israel.[2] David has brought the ark of the covenant to a tent in his new capital city and desires to build a house for the Mighty One of Jacob.[3] David has created a temporary space where the LORD can dwell among the people and desires to create a permanent space, a task that will fall to his son Solomon.
A continual theme of the scriptures is God’s desire to dwell among God’s people and the tabernacle, the ark, and later the temple are all dwelling places for the presence of God to rest among the people. A place where the priests and the people can orient their sacrifice, worship, and praise. Zion as a city becomes the place where the faithful ones can come to seek God’s presence and the stability provided by the kings of David’s line who are charged with providing a place of security for both the people and the house of God.
In verse eleven the LORD becomes the actor and in response to David’s actions provides a line for David. The LORD is now the one who chose Zion and chooses to dwell in the midst of the people there providing both provision and protection. Yet for the promise of a son of David remaining on the throne in Jerusalem is contingent upon their obedience to the covenant and decrees. The hope of both Jerusalem and the line of David is the presence of God among them. As the pilgrims enter the city of God, they can remember the hopes of the past and the promise of God’s presence.
In 2 Chronicles 6: 41-42 as Solomon prays over the temple he closes with verses eight through ten of this psalm. Solomon and the kings who followed after him would often fail to keep the covenant and the decrees of God and even the temple would later be polluted by practices and images to other gods, but throughout the scriptures is the image of the God who desires to dwell among the people as well as the desire for peace and security provided by a faithful ruler. Pilgrims across the generations have come to places where God’s presence was promised to dwell in order to worship, praise, and offer their gifts to God and be recalled to the way of life God calls the faithful to practice.
[3] An early epithet for the God of Israel which appears initially Genesis 49:24 during Jacob’s blessing of Joseph. (Nancy deClaisse-Walford, 2014, p. 935)
Nehemiah Views the Ruins of Jerusalem’s Walls (Neh. 2:1-20) Gustave Dore, Dore’s English Bible (1866)
Psalm 123
A Song of Ascents
1To you I lift up my eyes, O you who are enthroned in the heavens! 2As the eyes of servants look to the hand of their master, as the eyes of a maid to the hand of her mistress, so our eyes look to the LORD our God, until he has mercy upon us.
3Have mercy upon us, O LORD, have mercy upon us, for we have had more than enough of contempt. 4Our soul has had more than its fill of the scorn of those who are at ease, of the contempt of the proud.
Bolded words have notes on translation below.
If you read the psalms of ascent as a sequence, which scholars assume was a common practice during a pilgrimage to Jerusalem, there is a narrative that may underly the pattern. The psalmist begins in a place far from the city of peace surrounded by those who desire war (Psalm 120). The psalmist then departs on a journey lifting up their eyes to the hills (Mount Zion-Psalm 121). In the third song of ascent the psalmist arrives at their destination of Jerusalem (Psalm 122). Now in Jerusalem the pilgrim is joined by other pilgrims coming to the city of peace and they turn their eyes to God and lift up their complaint about the world they come from. They have left behind others in a land of people who seek conflict and speak with lying lips (Psalm 120) and now in the city of God they appeal for not only Jerusalem but the world the LORD stands in authority over.
The psalm begins with a solitary speaker lifting up their eyes to the LORD who sits on the seat of authority in heaven. The psalmist may imagine God presiding over the gods of the nations as in Psalm 82 as they address the LORD in this manner, and this may set the stage for the complaint that the people raise about the contempt and scorn they have received in the nations. The eyes of an individual pilgrim are joined by other servants and maids of the LORD their God look to their master for mercy. The Hebrew conception of the relationship between a servant or maid and their master or mistress envisions the master/mistress bearing responsibility for their subordinates. The subordinates are dependent upon their master for their provision and protection, but the expectations of the master in the psalm are conditioned by the merciful LORD their God who is master over the heavens and the earth. The identity of the LORD God as expressed by God in Exodus 34 is:
“The LORD, the LORD, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, 7 keeping steadfast love for the thousandth generation, forgiving iniquity and transgression and sin, yet by no means clearing the guilty, but visiting the iniquity of the parents upon the children and the children’s children, to the third and the fourth generation.” Exodus 34: 5-7.
And the blessing of the Aaronic priests in Numbers 6:22-27 echoes the ideas of God turning God’s face in graciousness towards those who lift up their eyes to the LORD:
22The Lord spoke to Moses, saying, 23“Speak to Aaron and his sons, saying: Thus you shall bless the Israelites: You shall say to them: 24The Lord bless you and keep you; 25the Lord make his face to shine upon you and be gracious to you; 26the Lord lift up his countenance upon you and give you peace. 27“So they shall put my name on the Israelites, and I will bless them.”
The pilgrim has joined other pilgrims within the city seeking mercy from the LORD their God and they lift up their eyes and their appeal. As Walter Brueggemann notes, “Our psalmist…dares to look to heaven, not because he is worthy but because he knows that the master to whom he looks is merciful.” (Bellinger, 2014, p. 533)
The character of the people of God is expected to match the God who they serve and this informs the view of what the kings, princes, and nobles of Israel were to be. The character of God is one of the reasons that subordinates can look to those in authority over them with the expectation of receiving mercy. This psalm made me reflect on leaders I have encountered in numerous settings who I was proud to serve under. They were leaders who were invested in those who they led and were dependable. Many of them saw the way they led as connected to their faith and it was reflected not only in their actions but in the response of their subordinates to their authority.
Psalm 123 is unusual because it ends in complaint rather than thanksgiving, but it may rely on the following psalm to complete the normal pattern. The pilgrim looks at the world of people of lying lips and who seek conflict and they dare to seek in their God, “the grace that overcomes the world.” (Mays, 1994, p. 396) Before they begin their complaint they have invoked God’s mercy three times. They need God’s mercy to overcome the contempt and scorn which have overwhelmed them. Nancy deClaissé-Walford notes on the translation of verse three and four:
The word translated overwhelmed (NRSVue have had more than enough/ its fill) is from the root ‘saba’, which means, literally, “eat one’s full, be sated, have enough.” And interestingly the word translated mockery (NRSVue scorn) is from the root la’ag, which beans literally, “speak with a stammering tongue.” (Nancy deClaisse-Walford, 2014, p. 904)
Their experience of conflict and lies in their communities have overwhelmed them. They have had more of mockery and scorn than they can take and the leaders in the communities they have come from leave them crying out for God’s mercy which can overcome the mockery and scorn which overwhelms them.
J. Clinton McCann, Jr. connects the language of this complaint to the post-exilic experience of the time of Nehemiah.
As several scholars observe, the situation certainly sounds like that of the post-exilic era (see, e.g., Neh 2:19, 4:4, where “ridiculed” and “despised” represent the same Hebrew root as “contempt” in Ps 123: 3-4, “scorn” in 123:4 also occurs in Neh 2:19; 4:1 as “mocked.” (NIB IV: 1187)
The post-exilic experience of returning to the remains of the once proud city of Jerusalem and being taunted by their neighbors is a reasonable backstory for the psalm, but the experience of being overwhelmed by contempt or scorn is a common experience. If the experience is tied to the experience of Psalm 120 that also is a common experience of people longing for peace and justice in an unjust world that seeks conflict. That is one of the reasons that the psalms continue to resonate thousands of years after their composition. They may have originally spoken to a specific crisis in the pilgrim’s life but now they speak to the community of the faithful raising their eyes to God and appealing for God’s mercy which can overcome the experiences and injustices which threaten to overwhelm them.
The Bünting Clover Leaf Map, by Heinrich Bünting, was published in 1581 and depicts Jerusalem as the center of the world.
Psalm 122
A Song of Ascents
1I was glad when they said to me, “Let us go to the house of the LORD!” 2Our feet are standing within your gates, O Jerusalem.
3Jerusalem—built as a city that is bound firmly together. 4To it the tribes go up, the tribes of the LORD, as was decreed for Israel, to give thanks to the name of the LORD. 5For there the thrones for judgment were set up, the thrones of the house of David.
6Pray for the peace of Jerusalem: “May they prosper who love you. 7Peace be within your walls and security within your towers.” 8For the sake of my relatives and friends I will say, “Peace be within you.” 9For the sake of the house of the LORD our God, I will seek your good.
Bolded words have notes on translation below.
If we look at the first three songs of ascent in order (Psalm 120-122) there is a suggestive narrative. The psalmist begins in a place far from the city of peace surrounded by those who desire war (Psalm 120). The psalmist then departs on a journey lifting up their eyes to the hills (Mount Zion-Psalm 121). In this third song of ascent the psalmist arrives at their destination of Jerusalem. (NIB IV:1183) This song of thanksgiving upon arriving in the city of Jerusalem, the spiritual center of their world captures the joy of a pilgrim upon reaching their long-awaited destination.
Both Isaiah 2: 2-3 and Micah 4:1-4 envision Jerusalem as being the spiritual center of the world for Jews and Gentiles, where the nations see the people living in harmony with God’s will for the world and they come to the mountain of God seeking instruction. Jerusalem becomes the pivot for a complete reordering of power in the prophetic imagination as swords become plowshares and spears become pruning hooks. The city of shalom (Jerusalem) becomes a light on the hill that the nations are drawn to learn God’s ways of peace.
The psalm is structured around the two houses that reside in Jerusalem: the house of the LORD and the house of David. The house of David occupies the central verse of the poem structurally, and the royal house occupies an important role in providing judgment for people coming to the city. As James L. Mays can highlight:
Pilgrimage season was likely a time when conflicts and disputes unsettled in the country courts were brought to the royal officials and their successors in the postexilic period. The peace of the community depended on the establishment of justice. Pilgrimage is a journey in search of justice. (Mays, 1994, p. 393)
The house of David has a crucial role in making Jerusalem a place of shalom, but the psalm also places the house of the LORD as the bookends structurally of the psalm. The place of the house of the LORD at the beginning and end encompasses the authority of the house of David. (NIB IV: 1184) 2 Samuel 7 makes a similar point when the LORD informs David that he will build a house (lineage) for David rather than David building a house for the LORD.
The psalm begins with a joyous embrace of the traditional call to go up to the house of the LORD. There is some debate about whether the perspective of the psalmist is currently in Jerusalem (are) or whether it should be translated in past tense as the psalmist remembers Jerusalem in anticipation of a journey, but I have stayed with the NRSVue’s translation of Our feet are standing. From the perspective of the pilgrim, Jerusalem is a city bound firmly together. There is some Hebrew word play in the word for bound (Hebrew habar) which is never elsewhere used for construction and always refers to human alliances or covenants. (NIB IV:1184) The psalm imagines a time where the unified tribes of Israel gather in Jerusalem as a place of festival, worship, and ultimately peace making.
The language in verse six to seven centers around shalom (peace) and Jerusalem (yeru-shalom) and the structure in Hebrew makes this even clearer by the phonetic repetition of ‘sh’ and ‘l’ sounds. As Nancy deClaissé-Walford states:
Of the ten Hebrew words that make up vv. 6 and 7, six contain the letters sin and lamed: ask (sha’alu); well-being (twice) (shalom); Jerusalem (yerushalaim); may they be at ease (yishelayu); and tranquility (shalwa)—acoustically and visually emphasizing the theme of well-being. (Nancy deClaisse-Walford, 2014, p. 901)
Jerusalem is the city of shalom, the longed-for peace absent in Psalm 120. Peace is for the city of peace, for the walls that defend the city from hostility, and for the families who are present in the city or back home. Psalm 133 will later echo this hope for peace among relatives.
Walter Brueggemann and William H. Bellinger make an important point for this prophetic imagination of the people in the context of the exile. When there is no longer a city of shalom to seek where the houses of the LORD and David reside, how are the people to function? Brueggemann points to the prophet Jeremiah (Jeremiah 29: 4-10) when he states:
”seek the welfare of the city where I have sent you in exile, and pray to the LORD on its behalf, for in its welfare you will find your welfare.” The word “welfare” of course renders the Hebrew shalom; the prophet is exhorting the deportees to pray for the shalom of the city of Babylon. (Bellinger, 2014, p. 530)
In the absence of the city, the temple, and the Davidic king it was still possible to seek peace, but it involved seeking the shalom of the place where you find yourself transplanted. Even if Jerusalem is de-centered from the world, peace can still be found in the cities where the pilgrims sojourn.
1I lift up my eyes to the hills— from where will my help come? 2My help comes from the LORD, who made heaven and earth.
3He will not let your foot be moved; he who keeps you will not slumber. 4He who keeps Israel will neither slumber nor sleep.
5The LORD is your keeper; the LORD is your shade at your right hand. 6The sun shall not strike you by day nor the moon by night.
7The LORD will keep you from all evil; he will keep your life. 8The LORD will keep your going out and your coming in from this time on and forevermore.
Notes on the bolded words below.
One of my favorite farewells is the Spanish ‘vaya con dios’ which means ‘go with God.’ The English Godspeed is similar, which comes from the middle English ‘God spede you’ which means ‘may God prosper you.’ This short but well-loved psalm may have originated as a song for pilgrims making the journey to mount Zion to worship. The departing pilgrim receives a blessing from the one wishing God’s guarding presence upon the pilgrim. It may have originated as a ‘farewell liturgy’ as James Limburg identified this psalm, (NIB IV: 1180) but for many faithful people this has become a psalm of trust which encompasses the entire life of the faithful one guarded by the God who is both personally available and cosmically powerful.
The first two verses of the psalm are spoken by the pilgrim and is spoken in first person. The individual looks to the surrounding landscape to the hills, and likely to the destination of Zion, but their help for through the dangers of the coming journey do not come from the hills but from the LORD. The LORD is both ‘my help,’ one who is personally concerned for the fate of this pilgrim departing on the journey but also ‘the LORD who made heaven and earth.’ In a common duality seen in scripture God is both powerful and attentive, over all things and concerned about the life of the faithful one who places their life in God’s hand.
In verse three the voice now shifts to the one remaining behind as the pronouns are now second person. Within the final eight verses the word rendered ‘keep’ or ‘keeper’ in the NRSVue is the Hebrew samar. The Hebrew samar is a more active concept than ‘keep’ and has the active sense of guarding and watching over. (Nancy deClaisse-Walford, 2014, pp. 895-897) Within the movement of the psalm the God who guards will not slumber during his time of protecting and watching over the pilgrim. The LORD guards Israel and the LORD will guard the faithful one. The language continues and intensifies as the LORD guards and provides a shade (Hebrew sel) for the pilgrim. The word for shade (sel) is often used in the psalter in the phrase ‘the shelter (sel) of you wings’ and may reference the image of God extending God’s wing or cloak in protection and shelter in the journey through the wilderness. The sun and moon have sometimes been thought of mythologically as forces which oppose the pilgrim’s journey but this is not necessary for the psalm for a journey through desert on the journey to Jerusalem (or any other destination).
In the Lord’s prayer the petition ‘and deliver us from evil (or the evil one)’ taps into a consistent theme with the LORD guarding the pilgrim from evil and guarding their life. In a common Hebrew merism[1] the LORD watches over the totality of the pilgrim’s journey, their departures and their returning home for this journey and their entire life.
Psalm 121 has a rich use in the worship life of the church, and it is frequently used with both baptismal liturgies and funeral services. The psalm’s use in these two moments that form the bookends of the Christian life nicely encompass the belief that God guards the person of faith throughout the totality of their life. Martin Luther would have parents teach their children to “fear, love, and trust God above all things.” This psalm echoes the trustworthiness of the God who guards the life of the faithful one. It is a blessing for the entirety of the journeys of life as people of faith go with God. Our entire life is guarded and sheltered by the God who is both personally available and cosmically powerful.
[1] A merism is a literary device which denote the totality or completeness of something.
Sign of the Rose 
