Time Magazine Top 100 Novels

2   All the King’s Men by Robert Penn Warren (1946)
3   American Pastoral by Philip Roth (1997)

Animal Farm by George Orwell (1946)

7   Are You There God? It’s Me Margaret. by Judy Blume (1970)

8 The Assistant by Bernard Malamud (1957)

At Swim Two Birds by Flann O’Brien (1938)

12  The Berlin Stories by Christopher Isherwood (1946)
13  The Big Sleep by Raymond Chandler (1939)
14  The Blind Assassin by Margaret Atwood (2000)

18 Call it Sleep by Henry Roth (1935)

25  A Dance to the Music of Time by Anthony Powell (1951)
26  The Day of the Locust by Nathanael West (1939)

27 Death Comes for the Archbishop by Willa Cather

28  A Death in the Family by James Agee (1958)

40  A Handful of Dust by Evelyn Waugh (1934)

43  Herzog by Saul Bellow (1964)

44 Housekeeping by Marilynne Robinson (1981)

46  I, Claudius by Robert Graves (1934)

49  A Light in August by William Faulkner (1932)
50 The Lion, The Witch, and the Wardrobe by C. S. Lewis (1950)

53  The Lord of the Rings by J. R. R. Tolkien (1954)

54 The Moviegoer by Walker Percy (1961)

55  Loving by Henry Green (1945)

70 A Passage to India by E. M. Foster (1924)

73 Possession by A. S. Byatt (1990)
74  The Power and the Glory by Graham Greene (1939)

76 Rabbit, Run by John Updike (1960)

83 Snow Crash by Neal Stephenson (1992)

85 The Sound and the Fury by William Faulkner (1929)

92 To the Lighthouse by Virginia Woolf (1929)

94  Ubik by Philip K. Dick (1969)

 

Ezekiel 1 Ezekiel’s Experience of the Divine Chariot in Exile

Ezekiel as depicted by Michelangelo on the Sistene Chapel ceiling

Ezekiel 1: 1-3 Meeting Ezekiel the Prophet

1 In the thirtieth year, in the fourth month, on the fifth day of the month, as I was among the exiles by the river Chebar, the heavens were opened, and I saw visions of God. 2 On the fifth day of the month (it was the fifth year of the exile of King Jehoiachin), 3 the word of the LORD came to the priest Ezekiel son of Buzi, in the land of the Chaldeans by the river Chebar; and the hand of the LORD was on him there.

The book of Ezekiel begins with fixing the beginning of Ezekiel’s ministry as a prophet on the thirtieth year, the fourth month, and the fifth day of the month in modern day Iraq between the Tigris and the Euphrates. Yet, even for all this specificity one initial question is what is the designation of the thirtieth year marking from? There are two primary conjectures that scholars have made: the first is that it is thirty years after the high priest Hilkiah rediscovered the book of the law in the temple and presented it to King Josiah initiating Josiah’s attempt to reform the practice of the people of Jerusalem and Judah. (2 Kings 22-23) More likely is the explanation which goes back to Origen (185-253 CE) that the thirty years designates the thirtieth year of life for the prophet. (Block, 1997, p. 83) Although there is no way to be certain about the marker the thirty years counts forward from, the thirtieth year of life for a person from a priestly family would indicate the time they would begin to serve in the temple:

from thirty years old up to fifty years old, all who qualify to do work relating to the tent of meeting. (Numbers 4:3, this is for the Kohathites but the same provisions relate to the Gershonites and the Merarites (divisions within the Levite families with different tasks in the tent of meeting) see verses 23 and 30)

Ezekiel’s twenty-two-year ministry would roughly cover the ages from thirty to fifty years old of service for a person in the temple if the thirty years is counting Ezekiel’s age. In exile, Ezekiel who has lost the ability to serve in the temple is now granted an equivalent or perhaps higher (if more challenging) calling to be a prophet to the LORD.

The secondary time marker, the fifth year of the exile of King Jehoiachin, fixes the date. King Jehoiachin is exiled in 597 BCE along with princes, military leaders, skilled craftsmen, royal officials, and the elite members of Jerusalem. This first exile leaves much of the population behind and creates two centers for the Jewish people: the exiles in Babylon and the remnant in Judah. When Ezekiel sits beside the river Chebar it calls to mind the psalmist mourning the exile: By the rivers of Babylon—there we sat down and there we wept when we remembered Zion. (Psalm 137:1) Though Psalm 137 may reflect the second exile where the temple and city are destroyed, Ezekiel surely mourns like the psalmist as they attempt to navigate their exile away from their home and the temple. The river of Chebar is in the vicinity of Nippur, a city destroyed by Nebuchadrezzar’s father Nabopolassar and resettled with deportees from across the empire. (Block, 1997, p. 84) Into this place of displaced and mourning people the son of the priest Buzi experience the hand of the LORD upon him as he encounters God’s presence in this foreign land.

 

Ezekiel 1: 4-28 The Chariot of God

4 As I looked, a stormy wind came out of the north: a great cloud with brightness around it and fire flashing forth continually, and in the middle of the fire, something like gleaming amber. 5 In the middle of it was something like four living creatures. This was their appearance: they were of human form. 6 Each had four faces, and each of them had four wings. 7 Their legs were straight, and the soles of their feet were like the sole of a calf’s foot; and they sparkled like burnished bronze. 8 Under their wings on their four sides they had human hands. And the four had their faces and their wings thus: 9 their wings touched one another; each of them moved straight ahead, without turning as they moved. 10 As for the appearance of their faces: the four had the face of a human being, the face of a lion on the right side, the face of an ox on the left side, and the face of an eagle; 11 such were their faces. Their wings were spread out above; each creature had two wings, each of which touched the wing of another, while two covered their bodies. 12 Each moved straight ahead; wherever the spirit would go, they went, without turning as they went. 13 In the middle of the living creatures there was something that looked like burning coals of fire, like torches moving to and fro among the living creatures; the fire was bright, and lightning issued from the fire. 14 The living creatures darted to and fro, like a flash of lightning.

15 As I looked at the living creatures, I saw a wheel on the earth beside the living creatures, one for each of the four of them. 16 As for the appearance of the wheels and their construction: their appearance was like the gleaming of beryl; and the four had the same form, their construction being something like a wheel within a wheel. 17 When they moved, they moved in any of the four directions without veering as they moved. 18 Their rims were tall and awesome, for the rims of all four were full of eyes all around. 19 When the living creatures moved, the wheels moved beside them; and when the living creatures rose from the earth, the wheels rose. 20 Wherever the spirit would go, they went, and the wheels rose along with them; for the spirit of the living creatures was in the wheels. 21 When they moved, the others moved; when they stopped, the others stopped; and when they rose from the earth, the wheels rose along with them; for the spirit of the living creatures was in the wheels.

22 Over the heads of the living creatures there was something like a dome, shining like crystal, spread out above their heads. 23 Under the dome their wings were stretched out straight, one toward another; and each of the creatures had two wings covering its body. 24 When they moved, I heard the sound of their wings like the sound of mighty waters, like the thunder of the Almighty, a sound of tumult like the sound of an army; when they stopped, they let down their wings. 25 And there came a voice from above the dome over their heads; when they stopped, they let down their wings.

26 And above the dome over their heads there was something like a throne, in appearance like sapphire; and seated above the likeness of a throne was something that seemed like a human form. 27 Upward from what appeared like the loins I saw something like gleaming amber, something that looked like fire enclosed all around; and downward from what looked like the loins I saw something that looked like fire, and there was a splendor all around. 28 Like the bow in a cloud on a rainy day, such was the appearance of the splendor all around. This was the appearance of the likeness of the glory of the LORD.

When I saw it, I fell on my face, and I heard the voice of someone speaking.

To most modern readers the descriptions of Ezekiel that begin the book are some of the strangest and least understood imagery in scripture. The Puritan scholar Willian Greenhill described Ezekiel as, “full of majesty, obscurity, and difficulty.” (Block, 1997, p. 89) This obscurity and difficulty has led to numerous psychological and even extraterrestrial explanations, but the imagery as much as it stretches the ability of Ezekiel to put into words, would also be more familiar within the imagery of the temple and the world around Jerusalem at this time. Throughout these reflections I have attempted to approach each of these books from the perspective of trust and faith and with the assumption that each work has something to teach me. In that light I am crediting Ezekiel with attempting to report as honestly as he can about this experience with things beyond his ability to describe. Ezekiel’s descriptions will gain additional precision in chapter ten when he has language for the living creatures as cherubim, but for now we will encounter these creatures, wheels, and throne through the writing describing through analogy what this overwhelming experience was like.

Ezekiel has a far more detailed report of his encounter with the divine than Isaiah, or Jeremiah and part of that may be due to his situation. Previous prophets had all operated in the land of Israel and many may have had access to the temple in Jerusalem, but Ezekiel is the first prophet operating from the exile. As Ellen Davis can insightfully state, “As the first prophet to receive a vision outside of the land, he had to produce a fuller record in order to be believed.” (Davis, 1989, p. 30) Ezekiel has an intense interest in priestly matters and in particular the temple, so perhaps it is not surprising that the imagery that Ezekiel sees is connected with the imagery of the temple and is also comparable to images from the surrounding region. This visitation comes from the north in a great cloud of lightning or fire with a center like gleaming amber or molten metal. The closest analogy to what Ezekiel sees is the approach of the hailstorm as the seventh sign (plague) in Egypt (Exodus 9:23-24). Yet the quick description of this ‘stormy wind’[1]is often forgotten by most readers as they become confused by the description of the four living creatures, the wheels, the throne, and the one upon the throne.

Before delving into the individual descriptions, it is important to realize what the overall image is pointing to: a great chariot with God sitting on a throne or seat upon that chariot. Many artistic renderings of Ezekiel’s vision miss the forest for the trees and become focused on the components of the vision without any way to coherently put the images together as below.

Augsburger Wunderzeichenbuch — folio 15? „Vision des Hesekiel“

Throughout these descriptions Ezekiel provides us enough information for our imaginations to be stimulated but, as is demonstrated by the diversity of artistic interpretations, not enough to fully grasp what his eyes see. Ezekiel seems to be at the edge of his ability to describe. In Tova Ganzel’s words:

As the prophet’s description of the vision progresses, he gradually seems to lose his grasp of tangible expression. It grows increasingly difficult for him to describe what he is experiencing. See, for example, the pervasive use of the prepositional kaf (like), and the growing number of instances in which he refers to a demut (semblance or likeness): (Ganzel, 2020, p. 22)

Much like the descriptions of the tabernacle in Exodus 25-27, 35-39 or the temple in 1 Kings 5-7 can only give us a general idea of those structures, the description of Ezekiel can give us an idea of this chariot and its occupant. Although Ezekiel may be at the edge of what his language can describe, knowing some cultural references can help us to better understand the image from the world he inhabits.

A tetramorph cherub, in Eastern Orthodox iconography 16th Century

Although the four faces of the four living creatures is a feature unique to Ezekiel’s description, much of the description of these creatures is similar to what scholars believe the cherubim on the ark of the covenant (Exodus 25: 10-22) and the temple (1 Kings 6:23-28). Most modern portrayals of the ark picture the cherubim as resembling humans with wings.

However, most representation of divine creatures in the surrounding world are sphinx like with both human and animal features.

 

 

Hittite sphinx. Basalt. 8th century BC. From Sam’al. Museum of the Ancient Orient, Istanbul.

Winged sphinx from the palace of Darius the Great during Persian Empire at Susa (480 BC)

Column base in the shape of a double sphinx. From Sam’al. 8th century BC. Museum of the Ancient Orient, Istanbul.

These living creatures as described in Ezekiel have both humanoid and animal features. The creatures are able to move in any direction without turning (as the spirit/wind/breath moves them) and there are both animate and inanimate characteristics to these creatures which are a part of the divine throne. The creatures seem to be animated by the wind and the electricity/lighting/fire that is in the midst of these creatures.

The wheels also have had lively interpretation in the artistic imagination, but functionally this is a four wheeled chariot. The chariot seems to have a life that flows between the living creatures and the wheels as they are moved by the spirit/wind. The wheels gleam like beryl or glowing metal and the eyes may be eye shaped precious stones that are of a piece of the wheel. (Block, 1997, pp. 100-101) Although the pictures which are a part of this post are meant to help bring some visual structure to Ezekiel’s vision from an ancient context, the prophet’s descriptions are still challenging to envision and likely were overwhelming for the prophet to experience.

An ivory from Tel Megiddo showing a king sitting on a throne which is supplicated by a sphinx-esque winged hybrid.

Wheeled stand for a cauldron, bronze, 12-11th century BCE. Probably from Kition, Larnaka district, Cyprus. Currently in the Neues Museum, in Berlin. IN : Misc. 8947.

Above this chariot is a dome to support the throne and the presence upon the throne. The scene describes an experience overwhelming to both the eyes and the ears. The crystal dome which supports the emerald or lapis lazuli throne on which seats something like a human form. Yet, the human form is enclosed with both a rainbow-like radiance and fire and brightness. Ezekiel is probably wise in limiting the description of the glory of the LORD, but the overwhelming scene prepares us for the end where the voice of the LORD speaks.

There are sound reasons for traditional limitation of the book of Ezekiel in Jewish circles to men over thirty as the strangeness of the book has inspired many strange and disparate interpretations. Ezekiel is strange to our ears, but it is easy to become lost in the initial descriptions and not pay attention to what the voice of the LORD has to say to Ezekiel. Four-faced, four-winged living creature and wheels within wheels with eyes are fascinating images but they are only to prepare us to hear the call of Ezekiel to his difficult ministry both to the exiles in Babylon and those remaining in Judah.

[1] Ruach se’ara in Hebrew. Ruach plays multiple roles in the Bible and in this passage: wind, breath and spirit are the most common meanings. Later in the chapter when it talks about the ‘wherever the spirit would go’ or ‘the spirit of the living creatures’ it is ruach behind each usage of spirit.

Review of Possession by A. S. Byatt

Time Magazine Top 100 Novels

Book 73: Possession by A. S. Byatt (1990)

This is a series of reflections reading through Time Magazine’s top 100 novels as selected by Lev Grossman and Richard Lacayo published since 1923 (when Time magazine was founded). For me this is an attempt to broaden my exposure to authors I may not encounter otherwise, especially as a person who was not a liberal arts major in college. Time’s list is alphabetical, so I decided to read through in a random order, and I plan to write a short reflection on each novel.

S. Byatt’s Possession is exactly the type of treasure I hoped to discover when I embarked on reading through the Time Magazine top 100 novel list, a truly gorgeous work in its use of the English language, method of telling the story, and its truly rich characters. There were several times I would stop and remark how beautiful a poem, letter, or dialogue was. I could identify with almost all the characters in this book and see a portion of myself reflected in each of them. It is a novel of stories within stories that is often told by the imagined writing and correspondence between the characters. It begins when Roland Mitchell, an underemployed scholar of the fictional poet Randolph Henry Ash, discovers in a volume Ash used two drafts of a letter to an unknown woman. Roland retains the letter and begins his quest to discover who this unknown woman is and to see if their relationship, whatever it may be, sheds any light on the work of Ash. Once his investigation leads him to the poet Christabel LaMott he is introduced to Maud Bailey, a feminist scholar with a keen interest in LaMott both as a writer and as a distant relative. Together they discover a collection of letters between these two poets which leads them into a re-evaluation of the lives of both the poets the study and themselves as they both become captured in this quest to uncover the story of this previously unknown but highly impactful relationship. Although Roland and Maud have not published their discovery, rumors begin which also brings Maud’s former lover and scholar Fergus Wolf, English Ash scholar and Roland’s boss James Blackadder, American Ash scholar and collector Mortimer Cropper, American feminist and Cristabel LaMott scholar Leonora Stern, and a scholar who studied Ellen Ash, Randolph’s wife, Beatrice Nest into the pursuit of the correspondence, Maud and Roland who disappear for a time, and the truth of this previously unknown relationship.

Possession is a phenomenal story, but the creation of the poetry of both Randolph Henry Ash and Christabel LaMott as well as a beautiful set of letters between them is incredible. This was a joy to read. The narration evoked a rich sense of the people and the landscapes they encountered. Some of the best use of descriptive language I have ever read. The correspondence was frequently as poetic as the actual poems created and it made me wish I could read more of both poets. There were surprises all the way to the end of the book and I was awestruck with this incredible piece of literary artwork. I loved this book.

Review of Snow Crash by Neal Stephenson

Time Magazine Top 100 Novels

Book 83: Snow Crash by Neal Stephenson (1992)

This is a series of reflections reading through Time Magazine’s top 100 novels as selected by Lev Grossman and Richard Lacayo published since 1923 (when Time magazine was founded). For me this is an attempt to broaden my exposure to authors I may not encounter otherwise, especially as a person who was not a liberal arts major in college. Time’s list is alphabetical, so I decided to read through in a random order, and I plan to write a short reflection on each novel.

Snow Crash is a dystopic view into the future from the early 1990s when the internet was emerging to an imaginative world of a United States that has devolved into corporate, religious, and ethnic enclaves and the metaverse, the virtual world created by hackers and populated by avatars, becomes the escape from reality. Hiro Protagonist and Y.T. are the two primary protagonists that are navigating this chaotic world where they are exposed to a plot which threatens to grant control to all humanity to the mysterious L. Bob Rife and his religious front Reverend Wayne’s Pearly Gates. The plot moves from technological to religious to philological speculation about the original human language being similar to the binary language of computer language. Through infecting hackers who have learned the machine code and using their blood to create a drug which allows his followers to practice glossolalia, the Pentecostal practice of speaking in tongues which is also for the book the base language that was shattered in the story of Babylon. In a plot that involves the Central Intelligence Corporation (formerly CIA), the Mafia, Mr. Lee’s Greater Hong Kong (a multinational business franchise), the muscle bound and menacing Raven who carries his own nuclear device, the Raft (a conglomeration of ships centered around the U.S.S. Enterprise and a tanker) the plot is inventive if excessive.

Science Fiction is probably the toughest genre to write an enduring story within because as time passes the technology evolves in ways that can undercut the story’s credibility. Snow Crash is one of those rare novels where its concepts become the language of future technology: for example, the metaverse and the popularization of the term avatar. It also provided a fertile base for other works that would project a future where the metaverse becomes the escape from reality like Ready Player One. The religious and philological speculations were a part where, because of my background, I had trouble suspending my own knowledge to accept the premises of the novel and the devolution that the novel foresaw into commercialized interests thankfully never occurred in the United States in the way the book envisions. Yet, in the thirty years since the publication of this book there are areas where the author was accurate as we live in a time where they are beginning to construct an alternative reality and a corporation which rebranded itself Meta is one of the leading forces in creating this metaverse. Unfortunately, the book is accurate that there are many people who escape from the real world into the digital world and what was envisioned as a dystopic reality is at least partially being adopted as normal.

Introduction to the Prophet Ezekiel

Ezekiel as depicted by Michelangelo on the Sistine Chapel ceiling

 

Ezekiel will be the fourth of the prophetic books[1] I have approached in my studies on sign of the rose and the second major prophet[2] that I have engaged. Ezekiel is a book that has a significant impact on several later prophets and particularly the books of Zechariah and Daniel as well as the Christian book Revelation. The book of Ezekiel is a strange book full of evocative language which has inspired a plethora of odd interpretations. Jerome notes that Jews under thirty were forbidden from reading the beginning and ending of the book, yet it remained an important book for the rabbinical scholars. (Block, 1997, p. 44)

The Context of Ezekiel

Ezekiel son of Buzi began his prophetic ministry in exile in Babylon in the time between 597 and 586 BCE. This time period is between the first exile when King Nebuchadrezzar of Babylon crushes the rebellion of King Jehoiakim and the larger exile when the forces of Babylon return and destroy Jerusalem and the temple in 586 BCE. Ezekiel is among the group of elites who were taken to Babylon in 597 while the remnant of the people were left under Mattaniah (renamed Zedekiah, see 2 Kings 24:17). Ezekiel’s status is similar to what is narrated at the beginning of the book of Daniel for the titular character as well as well as Hananiah, Mishael, and Azariah (or as more commonly known by their Babylonian names: Shadrach, Meshach, and Abednego)[3]. Ezekiel has nothing positive to say about the Judeans who remained in Jerusalem between 597 and 587, and in Ezekiel’s mind the destruction of Jerusalem, the temple, and the severing of the Davidic line of kings is fully justified based on the unfaithfulness of the people to God’s covenant and their unwillingness to heed God’s words. (NIB VI: 1080) Ezekiel was the first prophet to operate in the Diaspora (the Judean people exiled among the nations). Ezekiel, like Jeremiah from inside Jerusalem, was deconstructing the beliefs that the people in Jerusalem had around the Davidic king, the land of Judea, the city of Jerusalem (Zion) and particularly the temple initially built by Solomon. Temple, land, and king all became symbols of God’s promise, but the prophets continued to call the people back to the covenantal nature of their relationship with God. The promise was dependent upon obedience to the laws, statutes, and ordinances of God and in Ezekiel’s view God’s judgment through Babylon was the just punishment for the lack of faithfulness to God’s laws and vision for the people.

Entering the Strangeness of Ezekiel

Ezekiel with his strange visions, passionate language, and symbolic actions seems like an alien work to most modern readers. The book’s visions attempt to describe things beyond description, the prophet’s actions as instructed by God seem out of step with the reality of his time or ours, and his language may offend our ears and sensibilities. Ezekiel’s language is supposed to be shocking to a complacent people who treated God’s covenant with Jerusalem as a guarantee of their security, and the first half of the book (like most of Jeremiah) is used to “debunk this illusory conviction.” (Block, 1997, p. 48) Yet, despite Ezekiel’s shocking words and performances he, nor his contemporary Jeremiah, is able to convince the people of Jerusalem to repent or change. As Tova Ganzel states:

Perhaps, then, we can see that Ezekiel’s prophetic mission at the time was not to call upon the people to mend their ways and repent, but rather to explain the significance of the events in Jerusalem, and thereby to lay the groundwork for the prophecies of rebuilding which came after the Destruction. (Ganzel, 2020, p. 16)

The Prophet of the Ruach

The prophet Ezekiel utilized the Hebrew word ruach throughout his book more than any other prophet. Ruach can mean “wind, breath, or spirit” and frequently, although translations have to focus on one meaning, there are shades of all three meanings. The living creatures are animated by the ruach, Ezekiel will be picked up and moved by the ruach, the ruach of the LORD will fall upon Ezekiel and cause him to prophesy, and his will prophesy to the ruach to reanimate the boneyard that represents Israel.

Resources Used on This Journey

As with my previous reflections I utilize the works of several authors who have spent their life studying this portion of scripture. I attempt to utilize various perspectives in all of these reflections to inform my own writing and reflections. Below are the works I am reading as I write my own reflections:

Block, Daniel I. The Book of Ezekiel: Chapters 1-24. (New International Commentary on the Old Testament series) Grand Rapids, MI: William B. Eerdmans Publishing Company, 1997.

_______. The Book of Ezekiel: Chapters 25-48. (New International Commentary on the Old Testament series) Grand Rapids, MI: William B. Eerdmans Publishing Company, 1998.

The NICOT series of commentaries have often been helpful textual commentaries, and when looking for a volume to assist with the language as well as the historical background these have often been helpful. Daniel Block is viewed as an evangelical scholar who is well versed in the literature of Israel and its neighbors in the ancient world.

Darr, Katheryn Pfisterer. “The Book of Ezekiel.” In The New Interpreter’s Bible. (New International Commentary on the Old Testament series) Grand Rapids, MI: William B. Eerdmans Publishing Company, 1997.Volume VI. Nashville, Abingdon Press, 1994.

The NIB is a solid all-around commentary on the entire bible and apocrypha. It is designed for pastors and those leading in congregations, so it does not normally engage the textual issues as deeply as the NICOT or Anchor Bible commentaries.

Davis, Ellen F. Swallowing the Scroll: Textuality and the Dynamics of Discourse in Ezekiel’s Prophecy. Sheffield, England: Almond Press, 1989.

Ellen Davis is one of the scholars who I attempt to read anything that they write. This is her doctoral dissertation, so it will probably be a denser read focused on a smaller set of issues than a commentary would be, but I trust it will prove insightful.

Ganzel, Tova. Ezekiel: From Destruction to Restoration. Maggid Studies in Tanakh. Jerusalem: Maggid Books, 2020.

When I can I attempt to utilize a Jewish scholar when reading the scriptures that we share. The Maggid Studies I have utilized in the past have been approachable, but also provide a window into perspectives that most Christian scholars may not explore.

The Book of Ezekiel is a long book of forty-eight chapters, and some of its chapters are quite lengthy. I anticipate this study taking all of 2024 and may stretch into 2025 depending on how my sabbatical later this year impacts my writing. Unlike Isaiah which is used frequently in preaching and Jeremiah which I have written on, Ezekiel has many sections which are relatively unfamiliar to me as I begin this study and as I walk into its strangeness I am curious what this journey will yield.

[1] As Christians organize the Bible, according to the Jewish organization of scriptures both Judges and 1 Kings would also be included in the prophetic writings while most Christians view these as historical narratives.

[2] Jeremiah is the other major prophet I wrote on in 2013-14 as I was beginning this site. The other major prophet is Isaiah. The differentiation of major vs. minor prophets has to do with the length of their ‘books.’ The minor prophets could all be contained on one scroll (the twelve) when texts were compiled that way while Isaiah, Jeremiah, and Ezekiel each required their own scroll.

[3] Daniel 1: 3-7

Psalm 100 Know the LORD is God and We are God’s

James Tissot, Solomon Decicates the Temple (1896-1902)

Psalm 100

<A Psalm of thanksgiving.>
1 Make a joyful noise to the LORD, all the earth.
2 Worship the LORD with gladness; come into his presence with singing.
3 Know that the LORD is God. It is he that made us, and we are his; we are his people, and the sheep of his pasture.
4 Enter his gates with thanksgiving, and his courts with praise. Give thanks to him, bless his name.
5 For the LORD is good; his steadfast love endures forever, and his faithfulness to all generations.

This short psalm of thanksgiving centers the actions of praise around the knowledge that the LORD is God and the peoples’ relation to their creator and shepherd. It echoes the concern of the Shema (Deuteronomy 6:4-5) and the first commandment (Exodus 20: 2-3, Deuteronomy 5: 6-7) that the people of Israel would know that the LORD is God alone and their role is to know, serve and belong to their God. The movement of the psalm is centered around seven imperatives: shout (NRSV make a joyful noise), serve (NRSV worship), come, know, come (NRSV enter), testify (NRSV give thanks), and bless. Poetically the repetition of come (obscured in the NRSV translation) focuses the hearer on what is bracketed in between: the command to know that the LORD is God and that the hearers are a part of his people. (Nancy deClaisse-Walford, 2014, p. 736) In response to the knowing the people are enabled to enter into the presence of God’s courts to bring praise and blessing.

Knowing is not just about knowledge of the LORD’s identity in Hebrew thought, it also involves acknowledgment that the community belongs to God and depends upon God. To be autonomous (one’s own law) in a Hebrew way of thinking is to be wicked. The statement that they are the LORD’s people and the sheep of his pasture focus the hearers on their God’s personal responsibility in overseeing the people of Israel. [1]  Although at times there may be an earthly king who rules on behalf of the LORD, when those kings prove to be unfaithful shepherds the LORD removes those shepherds and becomes their shepherd who guides, protects, and keeps them. Their maker and protector is good (echoing the language of creation in Genesis) and provides steadfast love (hesed) and faithfulness (emuna) two of the characteristics of God’s self-revelation to Moses.[2]

The life of praise is a life of service to the LORD. A person who comes to the courts of God is also expected to know that the LORD is their God, their creator and protector. The response to that knowledge is doxology (giving thanks). It is a life that acknowledges one’s dependance upon the LORD. Psalm 100 makes a bold claim for a life of praise, service, and thanksgiving to God in a world that seems to serve many gods. The psalmist points to a life centered on the knowledge of God and praise filled obedience to God’s ways.

[1] See for example Psalm 74:1, 79:13, 95:7, Jeremiah 23:1-4, Ezekiel 34:11-22

[2] Exodus 34: 6-7

Psalm 99 The Universal King Worshipped By A Particular People

The Temple by Radojavor@deviantart.com

Psalm 99

1 The LORD is king; let the peoples tremble! He sits enthroned upon the cherubim; let the earth quake!
2 The LORD is great in Zion; he is exalted over all the peoples.
3 Let them praise your great and awesome name. Holy is he!
4 Mighty King, lover of justice, you have established equity; you have executed justice and righteousness in Jacob.
5 Extol the LORD our God; worship at his footstool. Holy is he!
6 Moses and Aaron were among his priests, Samuel also was among those who called on his name. They cried to the LORD, and he answered them.
7 He spoke to them in the pillar of cloud; they kept his decrees, and the statutes that he gave them.
8 O LORD our God, you answered them; you were a forgiving God to them, but an avenger of their wrongdoings.
9 Extol the LORD our God, and worship at his holy mountain; for the LORD our God is holy.

Psalm 8 can wonder, “what are human beings that you are mindful of them, mortals that you care for them?” and Psalm 99 can focus that wonder on a particular place and people through whom the world comes to know the ruler of the heavens and earth. The LORD is the one before whom all nations tremble and the earth shakes, but whose universal sovereignty is focused on a particular place: the temple in Zion. The description of God being enthroned above the cherubim almost always refers to the ark of the covenant (1 Samuel 4:4, 2 Samuel 6:2, Psalm 80:1) and the references to Zion and holy mountain indicate that the psalm is pointing to the temple in Jerusalem. Even the notation of God’s footstool also refers to the temple as a resting place for the ark (1 Chronicles 28:2, Psalm 132:7). God presence and power becomes known through a particular place.

At the same time the psalm links the knowledge of God to a holy place, it also becomes known through holy people. Book four of the psalter began with Psalm 90, the only psalm attributed to Moses, and it is likely intentional that the final enthronement psalm references Moses once again. Moses and Aaron are lifted up as priests of God, and they are responsible for the construction of the ark where God’s presence is met. Samuel is the other figure lifted up in the psalm, who also harkens back to pre-monarchic Israel. Samuel opposed the people’s request for a king because for Samuel only the LORD is king, a sentiment echoed by Psalm 99. It is possible that Psalm 99 comes from a time after the re-establishment of the temple in Jerusalem after the exile, a time when the line of Davidic kings seems to have ended.

The paradox of the psalmist’s faith is that the LORD the God of Israel is the universal king over all the earth and peoples who has revealed Godself through a particular place (the temple in Zion) and through particular people (Moses, Aaron, and Samuel in the psalm). Yet, the psalm yearns for a universal realization that transcends the particularity of Israel. Israel has the privileged position of being the people to whom the Mighty King revealed not only himself but also the vision of justice and righteousness that God’s kingdom would involve. So, in response to the universal wonder of Psalm 8, Psalm 99 can give the particular wonder of a people who says, “Who are we that the Mighty King, the lover of justice who establishes equity throughout the earth dwells in the temple on our holy mountain, and spoke to use through Moses, Aaron, and Samuel, Israel that you care for us?”

Psalm 98 A Joyous Song of God’s Salvation

Statue of Watts, Abney Park Cemetery

 

Psalm 98

<A Psalm.>
1 O sing to the LORD a new song, for he has done marvelous things. His right hand and his holy arm have gotten him victory.
2 The LORD has made known his victory; he has revealed his vindication in the sight of the nations.
3 He has remembered his steadfast love and faithfulness to the house of Israel. All the ends of the earth have seen the victory of our God.
4 Make a joyful noise to the LORD, all the earth; break forth into joyous song and sing praises.
5 Sing praises to the LORD with the lyre, with the lyre and the sound of melody.
6 With trumpets and the sound of the horn make a joyful noise before the King, the LORD.
7 Let the sea roar, and all that fills it; the world and those who live in it.
8 Let the floods clap their hands; let the hills sing together for joy
9 at the presence of the LORD, for he is coming to judge the earth. He will judge the world with righteousness, and the peoples with equity.

Isaac Watt’s well known Christmas song “Joy to the World” is inspired by Psalm 98, (Mays, 1994, p. 312) although instead of heaven and nature singing as in “Joy to the World”, the seas and the nations sing in the text of the psalm. The appropriate response of the people of God, the nations of the earth, and the elements and residents of the waters to the victory (or salvation)[1] of God is the boisterous music of praise and worship. The vocal and instrumental music of humanity joins with the harmonic and percussive notes of the earth and the land. The approach of the LORD the God of Israel to judge the world with righteousness and the peoples of the earth with equity is a moment of celebration for all the earth. The faithful ones are the sentinels announcing to the peoples of the world that the time has come to join in the song of creation as the marvel and salvation of God.

The salvation of God and the reign of God’s righteousness is a moment of joyous expectation for all of creation. The house of Israel has experienced God’s steadfast love[2] and faithfulness, but all the nations of the earth also witnessed God’s salvation and the creation itself responds in joy. As Ellen Davis can state,

Judgment is the positive and passionate assertion of God’s will for the world, beginning with the deep foundation of God’s rule in the human heart; therefore, it gives no quarter to deception and self-delusion. (Nancy deClaisse-Walford, 2014, p. 728)

The faithful ones know the internal dimension of God’s reign in their lives and yearn for the revelation of God’s reign in the world seen across governments and nations. Yet, the longing of the faithful is also the longing of the creation for God’s judgement which brings God’s kingdom to earth, so the ways of steadfast love and faithfulness experienced in the heavens may be done on earth. The only response is the joyous song of lyre, trumpet and voice joining the collection of the sounds of the sea, the rains, and the hills. Nature joins the song of heaven and both the faithful and the wicked bear witness to the moment when heaven and nature sing along with the upraised voices of people throughout the world.

[1] The Hebrew verb ysh is typically translated salvation and it occurs in each of the first three verses (victory in NRSV’s translation).

[2] Hebrew hesed.

Psalm 97 The Righteous Reign of God

Supercell Thunderstorm over Chaparral, New Mexico on April 3, 2004

Psalm 97

1 The LORD is king! Let the earth rejoice; let the many coastlands be glad!
2 Clouds and thick darkness are all around him; righteousness and justice are the foundation of his throne.
3 Fire goes before him, and consumes his adversaries on every side.
4 His lightnings light up the world; the earth sees and trembles.
5 The mountains melt like wax before the LORD, before the Lord of all the earth.
6 The heavens proclaim his righteousness; and all the peoples behold his glory.
7 All worshipers of images are put to shame, those who make their boast in worthless idols; all gods bow down before him.
8 Zion hears and is glad, and the towns of Judah rejoice, because of your judgments, O God.
9 For you, O LORD, are most high over all the earth; you are exalted far above all gods.
10 The LORD loves those who hate evil; he guards the lives of his faithful; he rescues them from the hand of the wicked.
11 Light dawns for the righteous, and joy for the upright in heart.
12 Rejoice in the LORD, O you righteous, and give thanks to his holy name!

One of the losses of our modern, technology filled world is the patient hope of the psalmist and the prophets for the arrival of God’s kingdom. James L. Mays notes that Psalm 97 shares several key images and ideas with the portions of Isaiah most scholars attribute to Judah’s time in exile.[1] (Mays, 1994, p. 311) The psalmist’s proclamation of God’s reign causing the earth, Judah, and the righteous to rejoice were always contested claims. Israel and Judah lived in a world of multiple religious options and empires who exercised military, economic, and political might over Israel or Judah. Yet, the psalms and the prophets exhibit a persistent faith that despite the evidence to the contrary the God of Israel reigns over creation, is chief among the gods of the nations, and continues to sow joy and righteousness in the upright in heart. It is only through the eyes of faith that these poets can rejoice with the earth and the coastland because their vision has revealed to them that the LORD, the God of Israel and Judah, is king.

The vision of God in the psalms and the prophets may, as Brueggemann and Bellinger comment, retain the “remnants of a storm god.” (Brueggemann, 2014, p. 418) but as in Psalm 29 the use of the language of clouds and darkness, fire, lightning, and earthquake takes the primary language for the power of the Canaanite god Baal and now uses it to describe the power of the LORD the God of Israel. This imagery also resonates with the appearance of the LORD to the people at Mount Sinai in Exodus 19:16-19. The psalmist longs for the day for all the people to see what the eyes of faith trust: that the idols of the nations are worthless, that the kings of the earth and the gods of the nations are powerless before the LORD who is king, and that the power of the wicked over the faithful will end as God rescues them.

God’s righteousness and justice are the foundation of God’s throne, and they are also the foundation for the hopeful imagination of the psalmist. The heavens can proclaim God’s righteousness and the people of Judah can find reasons for rejoicing and gladness because of God’s judgments. Because God’s reign is based on righteousness it opens the possibility that people in Judah and beyond the borders of Judah can live as righteous ones rather than adopting the ways of the wicked. The response throughout the poem to the righteousness and justice of God is joy and gladness. The earth can rejoice, and the coastlands can be glad because the creation bears witness to the just reign of God. Zion can be glad, and the towns of Judah can rejoice because God judges with righteousness. The ones loving the LORD will hate evil[2] and God will guard their lives and sows[3] light and joy in these faithful ones of upright hearts. These righteous ones planted with light and joy in the rejoicing earth now join the earth’s joy at the celebration of God’s reign.

[1] See for example Isaiah 40: 5, 9-11; 42:17, and 52: 7-10

[2] In both the MT (Hebrew) and LXX (Greek translation) the direct translation is “The ones loving the LORD hate evil” as the NIV captures. The NRSV follows the translation of scholars who in their attempt to smooth our the translation change the subject to God, but there is no reason to make this change to the original text. (Nancy deClaisse-Walford, 2014, p. 724)

[3] Some change this word to a similar Hebrew word for ‘rise, shine’ (hence the NRSV translation) but the metaphor of sowing light fits with the imagination of the psalmist. (Nancy deClaisse-Walford, 2014, p. 724)

Review of the Warm Hands of Ghosts by Katherine Arden

I received an advance readers copy of the Warm Hands of Ghosts and I am a fan of Katherine Arden’s The Bear and the Nightingale series as well as her middle grade series Small Spaces. The Warm Hands of Ghosts takes the reader back to the historical fantasy genre of The Bear and the Nightingale, but this time the environment is primarily the hellish environment of Belgium in 1917 during the World War I battle for Passchendaele. Katherine Arden does a phenomenal job of presenting the environment of a world at war through the eyes of Laura and Freddie Iven. Laura begins the narrative home in Canada after several years as a field nurse for the medical corps, while her younger brother Freddie later joins the Canadian army in the trenches near Ypres. There is both a spiritualist and an apocalyptic framing of the war (particularly in a Jehovah’s Witness sense) and into the soul stealing space of war enters the beguiling but also devilish Faland. There are some similarities to the Smiling Man of the Small Spaces series, but the devil in a different context calls a different tune and plays a different game.

The Warm Hands of Ghosts is a story of humans caught in the inhumanity of war, of men and women who will sell their souls to forget what they have endured, of love that allows broken men and women to slowly rebuild their shattered lives, and of the death of a world as it gives birth to a new one. Laura and Freddie are both believably broken and yet still heroic characters who struggle to embrace this world at war instead of becoming ghosts of their former selves. It is the story of an ugly era of history beautifully written, of love struggling against the demons both outside in the world and the ones that dwell in the shattered hearts of the characters, and humanity trying to come to terms with the inhumanity of World War I. I appreciate the careful way she narrates this war that saw the advent of modern technologies like aircraft, long range artillery, submarines, and machine guns which was still primarily fought using the tactics of the 1800s and the disconnect between the experience of the soldiers at the front and the generals making their plans in houses miles away from these hellscapes. Even in this place of devils and destruction love still exists and it is the only hope for the lost men and women who journey to hell and back again for one another.