Reflection on C. S. Lewis’ the Chronicles of Narnia (1950-1956)

Time Magazine Top 100 Novels

Book 50: C. S. Lewis, The Lion, the Witch, and the Wardrobe (1950)

This is a series of reflections reading through Time Magazine’s top 100 novels as selected by Lev Grossman and Richard Lacayo published since 1923 (when Time magazine was founded). For me this is an attempt to broaden my exposure to authors I may not encounter otherwise, especially as a person who was not a liberal arts major in college. Time’s list is alphabetical, so I decided to read through in a random order, and I plan to write a short reflection on each novel.

If you have read Lev Grossman’s the Magicians, it should clear of the influence of the Chronicles of Narnia on his writing since Narnia is slightly modified to become Fillory in his trilogy. I first read The Lion, the Witch and the Wardrobe as a child and have read it multiple times both as a child and as an adult. Although it is a children’s story and can be read, on one level, as a simple fairy tale where four children find themselves in a magical world that they enter through a wardrobe, it also has moments of real profundity.

Since I own the Chronicles of Narnia I plan to add a brief reflection on each volume as I complete it:

The Magician’s Nephew:

Although it may be the sixth book written in the series, it is the beginning of the Narnia narrative. This is a creation story for Narnia and explains the origins of several features of the world and the entrance of the witch into Narnia. I listened to the audio version with Kenneth Branagh which is very well done. This is a well-done prequel to the Lion, the Witch and the Wardrobe.

The Lion, the Witch, and the Wardrobe

This story of a magical world and a conflict between good and evil also in a fable like manner touches in an allegorical way (whether C. S. Lewis intended or not) on many themes of Christianity, which C.S. Lewis also writes about explicitly in many of his other works. Even after many reads it is still an enjoyable story with many great images which I have been able to pull from at various times.

The Horse and His Boy

This story expands the world beyond Narnia by introducing the kingdom of Calormen. The Calormen are obviously based on Middle Eastern stereotypes, but setting aside the derogatory view of other cultures which are characteristic of Lewis’ time, the basic story of a talking horse from Narnia and a boy who are quickly joined by another talking horse and noble born young woman in their flight to freedom in Narnia. A simple but enjoyable story if you can set aside the stereotypes.

Prince Caspian

The fourth novel in the timeline of Narnia (2nd written) occurs in a time well after the time of the Lion, the Witch and the Wardrobe where Narnia is now ruled by the Telmarines, a group that invaded Narnia and has tried to eliminate the stories of Narnia. Prince Caspian, nephew of the current king, summons Peter, Susan, Edmond and Lucy back to Narnia as he struggles with the ‘old Narnians’ to end the Telmarine rule. This also is a simple but enjoyable short story where good triumphs in the end.

The Voyage of the Dawn Treader

Fifth novel in the timeline of Narnia which occurs a couple years later in King Caspian’s reign where he sets out on a voyage to find seven friends of his father that were sent east as a punishment during the time preceding Prince Caspian. Edmond, Lucy and their relative Eustace are brought into Narnia for the voyage. I found some parts of the story directed towards younger children (like the Monopods) but overall an enjoyable voyage.

The Silver Chair

The penultimate novel in the timeline of Narnia now has Eustace and a girl from his school, Jill Pole arrive in Narnia once King Caspian is an old man. This was my least favorite of the chronicles so far, partially because neither Eustace or Jill are particularly likeable characters for much of the book. There is also an element where C.S. Lewis’ criticism of the secular direction of schooling and culture becomes very pointed in this work in an almost petulant manner. There are elements in the story where the dialogue involves C.S. Lewis’ characters knocking down ‘straw-man’ arguments. There are some very imaginative features of this walk through Narnia and the Under world but the story didn’t seem as imaginative or mythical as the other volumes.

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