For me a five-star book is something that either I want to read again or something that is so profound it makes an immediate impact. There are lots of ways that books can be compelling: a unique idea, an interesting set of characters, a complex plot, an artistic use of the English language and more. Reading is also a subjective experience, so what appeals to me as a reader may be very different for you. I read a lot for both pleasure and work, but these short reviews are a way for me to show my appreciation for the work and the craft of the author of the reviewed work.

Empire of the Vampire was my introduction to Jay Kristoff and I was immediately hooked as a reader. This is my third reading of this book and even knowing how the plot unfolds the book still is phenomenally enjoyable. This initial volume introduces us to Gabriel de Leon, the last Silversaint (vampire hunter), Jean-Francios the vampire recording Gabriel’s story and Dior le Chance who Gabriel assumes a protective role over. The story jumps around as Gabriel reaches portions that are too painful to deal with at the moment, but this gives a sense of reality as the story jumps from his narration to the moments where he breaks the fourth wall with Jean-Francois.  The story is dark, the narration of the conflict scenes so rich I could imagine them as a manga or anime (I think that is the only way you could faithfully replicate the speed and damage of these vampire vs Silversaint fights). The world cloaked in darkness, the place of religion and mysticism, the rich imagery in a perilous world, there is so much to love in this long but engaging story of a world where vampires are no longer consigned to the night and humanity hangs on the precipice. But beyond the incredible plot, worldbuilding, and hard driving action are the characters and their interactions with one another. There were so many times the dialogue between the characters echoed the pattern of conversations I had with people in the army, the way men rib each other to show they care, the language, and verbal duels that went along with the physical trials. There were countless times I would look up from the page and say, “Damn. Jay Kristoff can write.”  I have listened to the audio versions of the three volumes in the trilogy but reading the physical novel you have the benefit of Bon Orthwick’s illustrations scattered throughout the chapters.

Each of the volumes of this trilogy were the best read of the year they were released and there is some regret in coming to the end of this massive journey. Jay Kristoff will not be for every reader: his language is the language of fighting men which includes frequent swearing (and he has some really interesting ways of utilizing the coarser parts of the English language) and there are several very spicy erotic scenes throughout the books. It is a dark world (literally and metaphorically) where no human character or animal character is safe. It is fantasy with horror and romantic elements set in a beautifully imagined world. It is a poignantly human story of characters who walk through the hell of war, betrayal, death, and times that seem hopeless. Even on a third read I did not want to put this almost eight-hundred-page book down, each time I picked it up it hooked me. I loved this dark gothic story of faith and fighting in a world struggling against four vampiric armies. The symbology and the myth, the conversations and the combat, the characters and the plot all come together to form the favorite trilogy I have ever read.