Five Star Book Review
Katherine Arden, The Bear and the Nightingale
For me a five-star book is something that either I want to read again or something that is so profound it makes an immediate impact. There are lots of ways that books can be compelling: a unique idea, an interesting set of characters, a complex plot, an artistic use of the English language and more. Reading is also a subjective experience, so what appeals to me as a reader may be very different for you. I read a lot for both pleasure and work, but these short reviews are a way for me to show my appreciation for the work and the craft of the author of the reviewed work.
The Bear and the Nightingale feels like a story told around an oven in a home snowed in for the winter, a story of magical creatures and grown ups who cannot see the magic of the world any longer. Vasya, the main protagonist, is both mischievous and kind and has a strong enough will to resist the machinations of her stepmother and father. There are many of the classic elements you find in fairy tales, for example a wicked stepmother, but I enjoyed the interweaving of distinctive Russian elements to the story: from the Russian orthodox painting of an iconostasis by Father Kostantin to the domovoy, rusalka, leshy, and other elements of eastern European folk stories. Although Morozko and his brother Medved, who the conflict of the story rotates around, have the classic good verses evil polarity, Morozko is not simply good and Medved is more animalistic hunger than evil. It is a story of family, of faith both in the sense of religion and in the sense of magic, and for the main character it is the beginning of a coming-of-age story for a woman who will determine her own course in a world where women do not write their own stories.
I read the entire Winternight trilogy several years ago, and I was deeply impressed with Katherine Arden’s debut novels. Returning to this novel was like returning to a home I never knew. The characters are great, but I think it was the way she narrated the atmosphere of the story that invited me in to dwell in this magical world for a time. This is a work of historical fantasy, so the magical events are caught up in the history of the Russian people and I really appreciated the way she allowed me to live a snapshot of an imaginary life in a magic infused slice of this world defined by winter. I look forward to continuing through the remainder of this series with Vasya, Morozko, and the rest.
Five Star Book Review
Time Magazine Top 100 Novels
Melissa Albert, The Hazel Wood
Five Star Book Review




























Time Magazine Top 100 Novels
I received an advance readers copy of the Warm Hands of Ghosts and I am a fan of Katherine Arden’s The Bear and the Nightingale series as well as her middle grade series Small Spaces. The Warm Hands of Ghosts takes the reader back to the historical fantasy genre of The Bear and the Nightingale, but this time the environment is primarily the hellish environment of Belgium in 1917 during the World War I battle for Passchendaele. Katherine Arden does a phenomenal job of presenting the environment of a world at war through the eyes of Laura and Freddie Iven. Laura begins the narrative home in Canada after several years as a field nurse for the medical corps, while her younger brother Freddie later joins the Canadian army in the trenches near Ypres. There is both a spiritualist and an apocalyptic framing of the war (particularly in a Jehovah’s Witness sense) and into the soul stealing space of war enters the beguiling but also devilish Faland. There are some similarities to the Smiling Man of the Small Spaces series, but the devil in a different context calls a different tune and plays a different game.
Five Star Book Review
Miroslav Volf has been an influential theological voice for me since his publication of Exclusion and Embrace and I have learned a great deal from his writing over the past two decades. Volf has been wrestling with the question of what makes a life worth living in his publications for the last eight years and this book feels like the successful culmination of years of writing, teaching, and seeking wise partners from his position at the Yale Divinity School and the Yale Center for Faith and Culture. His previous books on this topic (Flourishing: Why we Need Religion in a Globalized World and For the Life of the World: Theology that Makes a Difference) have helped frame the questions that now A Life Worth Living provides a guide for working through. A Life Worth Living models the class that Volf, Croasmun, and McAnnally-Linz teach at Yale, as well as at Danbury Federal Correctional Institute where they invite their seekers to consider several faith and wisdom traditions as they pose several key questions that are a part of seeking an authentic life. These questions include: What is worth wanting? What is the place of happiness in an authentic life? What is the authority are we responsible and what traditions form our vision of truth? How does a good life feel and what role do negative emotions/suffering have in the good life? What is worth hoping for? How should we live and what provides for a meaningful life? How do the various answers come together to form a life worth living? How does our good life fit within our bigger picture of the world? What do we do when we fall short of our visions of what life should be? How do we react to the suffering we experience and the suffering we encounter in the world around us?