Melissa Albert, The Hazel Wood
For me a five-star book is something that either I want to read again or something that is so profound it makes an immediate impact. There are lots of ways that books can be compelling: a unique idea, an interesting set of characters, a complex plot, an artistic use of the English language and more. Reading is also a subjective experience, so what appeals to me as a reader may be very different for you. I read a lot for both pleasure and work, but these short reviews are a way for me to show my appreciation for the work and the craft of the author of the reviewed work.
Every reader has certain types of stories that they are drawn to and for me two of those genres are dark fairy tales and books that have another story underneath the story that helps to shape the world. The Hazel Wood is dark fairy tale that lives on the edge of our world that is defined by a set of stories published by the protagonist’s grandmother. This is the first book in a series of three books set in this world, one is the book of stories alluded to throughout the Hazel Wood while the second is a sequel that continues the story of Alice and Finch. This is my second reading of the series and yet it still retains its edge even though the journey was familiar. I appreciate this fantasy world which has teeth and claws and is as close to hell as heaven.
The story is more plot driven than character driven which would normally be less appealing for me, but in this story is about stories where the story spinner places an actual Story Spinner in the narrative and stories are characters it works. The dynamic of a broken family haunted by a story that has planted its roots in our world and follows the characters wanting to draw them back to the Hazel Wood, and eventually back to the Hinterlands. For Alice it is a journey into wonderland where she discovers the family she needed is the family she already had, not the mysterious grandmother who she could only read about until she arrives at her estate and discovers that some dreams are nightmares.
Five Star Book Review




























Time Magazine Top 100 Novels
I received an advance readers copy of the Warm Hands of Ghosts and I am a fan of Katherine Arden’s The Bear and the Nightingale series as well as her middle grade series Small Spaces. The Warm Hands of Ghosts takes the reader back to the historical fantasy genre of The Bear and the Nightingale, but this time the environment is primarily the hellish environment of Belgium in 1917 during the World War I battle for Passchendaele. Katherine Arden does a phenomenal job of presenting the environment of a world at war through the eyes of Laura and Freddie Iven. Laura begins the narrative home in Canada after several years as a field nurse for the medical corps, while her younger brother Freddie later joins the Canadian army in the trenches near Ypres. There is both a spiritualist and an apocalyptic framing of the war (particularly in a Jehovah’s Witness sense) and into the soul stealing space of war enters the beguiling but also devilish Faland. There are some similarities to the Smiling Man of the Small Spaces series, but the devil in a different context calls a different tune and plays a different game.
Five Star Book Review
Miroslav Volf has been an influential theological voice for me since his publication of Exclusion and Embrace and I have learned a great deal from his writing over the past two decades. Volf has been wrestling with the question of what makes a life worth living in his publications for the last eight years and this book feels like the successful culmination of years of writing, teaching, and seeking wise partners from his position at the Yale Divinity School and the Yale Center for Faith and Culture. His previous books on this topic (Flourishing: Why we Need Religion in a Globalized World and For the Life of the World: Theology that Makes a Difference) have helped frame the questions that now A Life Worth Living provides a guide for working through. A Life Worth Living models the class that Volf, Croasmun, and McAnnally-Linz teach at Yale, as well as at Danbury Federal Correctional Institute where they invite their seekers to consider several faith and wisdom traditions as they pose several key questions that are a part of seeking an authentic life. These questions include: What is worth wanting? What is the place of happiness in an authentic life? What is the authority are we responsible and what traditions form our vision of truth? How does a good life feel and what role do negative emotions/suffering have in the good life? What is worth hoping for? How should we live and what provides for a meaningful life? How do the various answers come together to form a life worth living? How does our good life fit within our bigger picture of the world? What do we do when we fall short of our visions of what life should be? How do we react to the suffering we experience and the suffering we encounter in the world around us?
R. F. Kuang, Babel: An Archane History
Naomi Novik, Uprooted